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Support us on Patreon.com/filmsuck for bonus episodes and more perks! A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley. In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses? In short, what is to be done when film sucks?
Support us on Patreon.com/filmsuck for bonus episodes and more perks! A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley. In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses? In short, what is to be done when film sucks?
Episodes

Tuesday Mar 24, 2026
Chris Fleming: Saving Stand-up Comedy
Tuesday Mar 24, 2026
Tuesday Mar 24, 2026
Co-hosts Eileen and Dolores express their admiration and affection for comedian Chris Fleming and his hilarious new HBO special CHRIS FLEMING: LIVE AT THE PALACE. Highly recommended!
You may know Fleming from his dazzling comic flights on YouTube and Instagram, but as Fleming puts it, this special is designed to expand his audience beyond "women who brought a knife to prom." Wearing a four-way-stretch purple jumpsuit made by Prince's longtime costume designer Anthony Sartino, Fleming is able to prance, race, strut, flap, tumble, and moonwalk freely around the stage characterizing the freaky eccentrics and wanna-be-freaky normies who populate our world. He's pinpointed unerringly by the theater's spotlight operator who was "on the team that got Osama." Acknowledging his own unique appearance and category-busting affect that revives the old dream of queer liberation, Fleming says there's already been "a nationwide manhunt for my pronouns" and he/she/they will answer to any of them, leaving it up to the audience: "You tell me. You're looking at it."

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