Filmsuck

Soft, Pink, and Posh: The Cinema of Sofia Coppola

Here's our very special Filmsuck episode featuring author and film columnist Jessa Crispin, who joins us in a gleeful, long-overdue takedown of Sofia Coppola films! 

Vivien Leigh: Scorpio Rising

In the latest Filmsuck episode, we're talking scary-beautiful sorceress-star Vivien Leigh who played Scarlett O'Hara and Cleopatra and Anna Karenina and Blanch DuBois and many other iconic film roles. We also take on the recent, remarkably stupid film studies scholarship about her. 

Gloria Swanson: Have They Forgotten What a Star Looks Like?

We're kicking off our "Great Old Broads" series with the fabulously overdressed silent screen star Gloria Swanson, who set out to become a definitive figure of excess in the highly excessive Hollywood of the 1910s and 1920s. You know her as Norma Desmond, the unforgettably mad has-been star determined on making a comeback ("I hate that word! It's 'return'!") in the great 1950 film Sunset Boulevard. Though she played the part so magnificently, even people who knew her personally became convinced Gloria must be Norma in real life, Swanson actually stayed very sane and very busy for decades after the Talkies revolutionized the film industry, working steadily in film, television, radio, and theater. But Gloria agreed with Norma in one major way--a star ought to look like a star!

Heatwave Horror

In this Filmsuck Summer Film Series (FSFS) episode we're focusing on horror films set in vacation settings. We discuss the beachy shock effects of Jaws and Whatever Happened to Baby Jane?, and especially concentrate on the lakeside summer camp slasher terrors of Friday the 13th. Our special guest Ian Miller joins us to discuss the original Friday the 13th (1980), which was written by his father, screenwriter Victor Miller, whom Ian admits suffered from "Mommy issues." Hence his resentment of sequels featuring Jason as the iconic killer, when Jason's mother was meant to be the REAL killer.

The Girls of Summer

We're kicking off our Filmsuck Summer Film Series (FSFS for short) with a tribute to films and TV about teen girls making the most of their magical interlude of freedom. We're also sharing some partially hidden gems that you might not know about: 2018 indie film Skate Kitchen and its current HBO series spin-off Betty, both directed by Crystal Moselle, about the NYC adventures of a real-life female crew of skateboarders, and the 2019 directorial debut of Oliva Wilde, Booksmart, a hilarious comedy about two high-achieving nerd-girls who spent their high school years studying and decide, on the eve of graduation, to have all their teenage fun in one epic night.

Halston Held Hostage by Ryan Murphy

This week we're taking on the Ryan Murphy Problem by examining the new five-episode Netflix series Halston, produced and co-written by Murphy. It stars Ewan McGregor as the famous one-name fashion designer whose spectacular rise backed by huge corporate money made him a king of NYC in the Studio 54 era, and whose equally spectacular fall in a cloud of cocaine powder stripped him of nearly everything, including the Halston name. It's great material. So the question is, how does Murphy manage to screw it up?

Tallulah Bankhead - Never Boring

In this episode of Filmsuck we justify our love for Tallulah Bankhead, the sensational star of stage, screen, radio, and television whose outrageous wit, frank enjoyment of recreational drugs and alcohol, and wild sexual adventuring made her as famous as her acting from the 1920s to the 1960s. She used to tell reporters, "Say anything about me, dahling, as long as it isn't boring," and we do our damnedest to honor her request.

Tennessee Williams on Film

Happy 110th birthday, TW! In this episode of Filmsuck we're reveling in the mind-blowing film adaptations of Tennessee Williams' great plays such as A Streetcar Named Desire (1951), Cat on a Hot Tin Roof (1958), Suddenly, Last Summer (1959), and Night of the Iguana (1964). The most celebrated American playwright of the mid-20th century, Williams' riveting explorations of tormented sexuality, lacerating family trauma, the sick cruelty of the dominant culture, the desperation of the marginalized, and the "devouring" face of God make for a surreal and unforgettable cinema of excess.

Bridgerton: WTF

This is, in a way, a continuation of last week’s special Anti-Valentine’s Day episode about “peak libido” and unsexy cinema and television, because we’re talking about the supposed counter-example of Bridgerton, which is getting raves for its red-hot period-piece sexiness. Special guest co-host Emily Robbins helps Eileen fathom the Regency romance subgenre in order to understand the phenomenon that is Bridgerton, which is such a huge hit on Netflix, it’s kind of…bizarre.

Anti-Valentine's Day and Unsexy Cinema

Today in honor of this awful holiday we're doing an anti-Valentine's Day episode, lamenting the dreary unsexiness of most film and television of our time. We're wondering if it's part of a much larger phenomenon--the depletion of erotic energy in our collective existence that's running alongside the depletion of other planetary resources. That's the topic of the book we're discussing entitled Peak Libido: Sex, Ecology, and the Collapse of Desire by our very special guest, Dominic Pettman, university professor of Media and New Humanities at The New School for Social Research.