Filmsuck

Agonizing Over the Academy Awards

We're wading into the Oscar nominations and the people who hate them!

MAESTRO and the Mess that is the Biopic

In this episode, we talk about the sad mess that is the biopic genre, with MAESTRO, currently playing on Netflix, as one of our main examples. Dolores takes a reasonable stance on the biopic, praising the good ones and indicating the fascination of the form for a certain type of audience, and Eileen says, "Kill it with fire!"

POOR THINGS: Is It a GreatThing?

Filmsuck co-hosts round out 2023 and blaze into 2024 with an epic hashing-out of the flamboyantly gorgeous new Yorgos Lanthimos film POOR THINGS that reunites him with his creative team from THE FAVORITE (2018), screenwriter Tony McNamara and lead actor-producer Emma Stone. Stone plays a kind of female Frankenstein's monster created in a laboratory by a reclusive "mad scientist" played by William Dafoe. In this outre feminist fairy tale, she soon escapes to the Continent with a hedonistic lawyer (Mark Ruffalo), and in the process of exploration and self-education escapes the control of the men in her life.

Todd Haynes’ Mature Take

Co-hosts agree that Todd Haynes gripping new melodrama MAY DECEMBER is one of his best! The film has been nominated for several Independent Spirit Awards including Best Feature, Best Director for Haynes, Best First Screenplay for Samy Burch, and Best Lead Actor for Natalie Portman. (But not Julianne Moore or Charles Melton? WTF?)

Blessings on THE CURSE

Filmsuck co-hosts hash out the agonizingly compelling cringe-comedy series THE CURSE--created by Nathan Fielder and Bennie Safdie, who also star alongside Emma Stone--and arrive at amazing insights explaining all of contemporary life. This podcast is such a bargain!

Pre-Code Halloween Party: Two From Boris Karloff

New Filmsuck episode! A Halloween celebration of Boris Karloff in two of his pre-Code films: THE OLD DARK HOUSE and THE BLACK CAT! He's best known for FRANKENSTEIN, but Karloff gave so many great performances, it's a good time to appreciate his range. Many of his films are widely available, but these two more obscure ones are part of the current Criterion Channel "Per-Code Horror" series.

Bottoms: New Teen Comedy is Tops

Filmsuck co-hosts revel in a raucous low-budget comedy called Bottoms that's playing at a theater near you, and doing amazingly well with critics and young audiences. It's about a high school girls-only fight club--excuse me, "women's self-defense class"--and it's so refreshingly funny and irreverent about the tired cliches of the high school comedy genre, today's toothless feminism, America's cratering educational system, and a lot of other contemporary pieties, we recommend it highly. 

Old Broads Hit the Road

Latest Filmsuck! Our "Old Broads Hit the Road" episode features a discussion of a promising film/TV trend involving older women on the move seeking liberatory experiences in ELLE S'EN VA (ON MY WAY, 2013), JUANITA (2019), HACKS (2021-), and MRS. HARRIS GOES TO PARIS (2021).

Go Bears: Why We’re Still Thinking About THE BEAR Seasons 1 & 2

Filmsuck co-hosts Eileen and Dolores agree that the relentless affect and unusual staying power of the FX/Hulu series The Bear makes it a rare example of popular art in the tradition of the family-torment plays of Eugene O'Neill and Edward Albee. A belated tribute!

BARBIE and OPPENHEIMER: How We Learned to Stop Worrying and Love the Doll

Latest Filmsuck! Co-hosts Eileen and Dolores agree on finding Greta Gerwig's BARBIE surprisingly funny and delightful, and Christopher Nolan's OPPENHEIMER a ponderous, unenlightening snore. In order to argue these contentious views, we have to get into the gritty details, so this is a spoilers-galore episode!