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Support us on Patreon.com/filmsuck for bonus episodes and more perks! A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley. In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses? In short, what is to be done when film sucks?
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Tuesday Jan 26, 2021
Tuesday Jan 26, 2021
In the latest Filmsuck episode we take on the depressingly timely topic of fascist aesthetics, in terms of historical development and cinematic representations. For example, did you know that the success of the notorious white supremacist film Birth of a Nation (1915) inspired both a resurgence in the Ku Klux Klan but also their adoption of the full white-hood-and-robe uniform featured in the film? And that before that point, KKK members had dressed in motley carnivalesque costumes more similar to the Q Anon rioter outfits worn to storm the capitol building on January 6th? Some other questions we consider include: why are the Nazis, whose professed ideology was arguably anti-art, anti-intellectual thuggery, frequently portrayed as highly cultured dandies in movies? And--if we consider the dapper Nazi villains of Hollywood as part of a fascist continuum with the Germanic tribe cosplay of the Q Anon rioters--is there such a thing as a fascist aesthetic?
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